An American journalist travels
throughout the world in search of a good story by joining a modern-day harem
and traveling to Venice to see what really goes on at diplomatic parties. While
...
Director:
Joe D'Amato
Joe D'Amato
Writers:
Ottavio Alessi (story), Maria Pia Fusco.
Ottavio Alessi (story), Maria Pia Fusco.
Stars:
Laura Gemser, Gabriele Tinti, Roger Browne
Laura Gemser, Gabriele Tinti, Roger Browne
Storyline:
An American journalist travels
throughout the world in search of a good story by joining a modern-day harem
and traveling to Venice to see what really goes on at diplomatic parties. While
trying to expose a corrupt government official, Emanuelle stumbles upon a group
that uses kidnapped girls to make and sell snuff films. A brush with death
leaves Emanuelle wondering if it is perhaps time to hang up her camera for
good.
Emanuelle in America Movie Reviews:
If pernicious is a stronger word for ugly,
then it applies here, but I'm not referring to the "snuff" footage
sequence, I'm referring to the non-sex/non-horror scenes. They're so
unbelievably boring and poorly acted that you could end up leaving the theatre
(or living room) and missing out on the sleaze.
The film's soundtrack is outstanding and captures the era wonderfully.
As always, Laura Gemser is captivating and too sexy for words, and the film's explicitness verges on hardcore for most of the time and crosses the softcore line once or twice.
But it's the "snuff" footage sleaze fans want and it doesn't disappoint. Almost SALO-esque in its intensity and terribly well executed, it arrives in context but blurs its context quickly because it is unexpectedly extreme and realistic.
Worth seeing once or twice. Or owning, if the inclination's there.
The film's soundtrack is outstanding and captures the era wonderfully.
As always, Laura Gemser is captivating and too sexy for words, and the film's explicitness verges on hardcore for most of the time and crosses the softcore line once or twice.
But it's the "snuff" footage sleaze fans want and it doesn't disappoint. Almost SALO-esque in its intensity and terribly well executed, it arrives in context but blurs its context quickly because it is unexpectedly extreme and realistic.
Worth seeing once or twice. Or owning, if the inclination's there.

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